As pandemic-related shutdowns have entered their ninth month,
banks have continued to collect, lend, and exhibit art. By comparison, 1 in 3
American museums never reopened after shutting down in March.
In many respects,
Spain’s central bank was playing catch-up the minute it was founded in
1782—nearly 100 years after the Bank
of England.
From another
angle, though, Spain’s Banco de San Carlos, which subsequently became the Banco
de España, was ahead of its time: It ranks as having one of the world’s
first corporate art collections.
“The president of
the Bank of Spain commissioned Francisco Goya to create six works of the bank’s
directors,” says Banco de España curator Yolanda Romero. “One of the goals was
to preserve the memory of the history of the bank through the portraits, and the
other was to promote the art of its time.”
Gradually, the
Banco de España was joined by a trickle of other financial institutions, which
turned into a flood after World War II.
Today, banks are
some of the most important art patrons in the world.
“Bankers stepped
in like the new Medici,” says Arnold Witte, an associate professor in cultural
policy at the University of Amsterdam, whose research focuses on corporate art
collections. “From the 1950s onward, bankers needed to create a new and
positive image for themselves, and I think bankers like [Chase Manhattan’s]
David Rockefeller were really aware of the fact that they could use art to that
end.”
Now, as
pandemic-related shutdowns have entered their ninth month, and as public
collections around the world dramatically scale back programming—if not the
collections themselves—banks and other large corporations have continued to
collect, lend, and exhibit art. By comparison, 1 in 3 American museums never
reopened after shutting down in March, according to a survey released on
Tuesday by the American Alliance of Museums.
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