He was so knowledgeable about design that any astrologer could have predicted that one day there would be a Ray & Keshavan.
When
I first saw Ram
Ray, he was carrying a Kodak Carousel projector in a bag slung
across his shoulder.
He
emerged from the Brooke Bond lift on his way to meet D P Ghosh, the
marketing manager with whom I had just had a two-hour long progress
report meeting. (Yes, one did have progress reports meetings in
1978.)
My
equanimity had just been shattered, as two-hour meetings with D P
Ghosh were wont to do. Short of physically tearing the artworks that
I was supposed to have got approved, D P Ghosh had educated me on
just how incompetent I was and why I should take lessons from a
certain Ram Ray on how to run an account.
And
there was the legend himself, about to walk into a meeting with the
said D P Ghosh.
It
was said that Ram Ray was the only agency man that D P Ghosh ever
listened to. It actually had nothing to do with the Kodak Carousel he
was carrying with him like it was a pocket dictionary. (Yes many
things dwarfed themselves in the presence of Ram Ray.)
It
had more to do with the fact that he knew more about every possible
technical aspect of advertising as well as every conceptual aspect of
advertising
that there was to know at that time.
Quite
often, he was ahead of his time. While everyone else was using
portable chart holders for their presentations, he was using Kodak
Carousel slides. While everyone else was stuck at Times Roman, he was
thinking in Palatino. Or more likely, Albertus.
(Yes,
I know. There was no Google in the late 1970s. A far better option
was to ask Ram Ray.)
If
you can imagine an account manager who knew more about design than a
designer, more about copy crafting than a copywriter, more about
account planning than an account planner, more about the history of
advertising than a marketing historian — that would be Ram Ray.
He
was so knowledgeable about design that any astrologer could have
predicted that one day there would be a Ray & Keshavan.
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