It sets a new low in price for Sony as they enter a flooded sub-Rs 15,000 market.
Technology
News : Sony customers can’t seem to do without a good bass
on any budget. And Japanese audio engineers say they have done their
door-to-door research to come up with a new soundbar, tailor-made for
India (read Bollywood). It also sets a new low in price for Sony as
they enter a flooded sub-Rs 15,000 market. I spent some time fiddling
with it before it hits the market on February 7. Here's my first
impression of it for those eager to place their orders. For the rest
of you, a detailed review is coming soon.
The
HT-S20R is a three-piece ensemble, which consists of a 2kg soundbar
(760 x 52 x86), a 6.9kg subwoofer (192 x 387 x 342) and two rear
speakers of about half a kg each.
The
soundbar has a neat metallic finish. It's a three-channel —or
three-speaker — central piece, which is slightly wider than a
32-inch TV. Even if you place it right in front of the TV, it should
not interrupt your view.
The
subwoofer, though, will require a strategic placement, preferably at
a lesser height than the TV. Sony
maintains that a built-in woofer will just not cut it for a real 5.1
channel sound in the price range. The two rear speakers add to the
stereo experience -- a car racing across the screen or bullets flying
in every direction.
You
can connect the soundbar via a single HDMI cable to TVs that support
ARC (Audio Return Channel). For older models, there's RCA input —
the red, yellow, white cables — and optical input — a
lesser-known black cable. You can also just connect the soundbar to
your phone via Bluetooth for streaming OTT content and for playing
music. And if you'd really like to turn back time, there's a
front-facing USB slot on the subwoofer for those who still carry a
pendrive in their keychain.
I
experienced the maximum output of 600W that HT-S20R
claims to deliver and it's deafening in a small room and good enough
for a modest living room space. House parties? Check. Still, it's a
TV-first soundbar. I watched a scene of Denzel Washington-starrer The
Book of Eli during the demo. Great film, by the way. And I noticed
that the sound is mapped to deliver clarity in dialogues, very good
bass for action sequences and a noticeable surround sound for
everything else. But it seems to suffer a little bit in high range
frequencies and the treble seems to bring along some distortion at
high volumes. It's something you won't even notice in a film playing
on a TV screen but maybe when you are listening to a wide range of
music. I'll have a more definitive answer when I hear some classic
rock on it. Not remastered, of course.
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