Hotel Mumbai tackles a delicate subject that is still very raw for many of the 2008 Mumbai attacks survivors.
Three
years after French director Nicolas Saada's "Taj Mahal",
which focused on a single site of the 2008
Mumbai terror attacks, Australian filmmaker Anthony Maras' debut
narrative feature, "Hotel Mumbai", enters the precincts of
the iconic property and presents a fictional recreation of the
violence perpetrated on India's financial capital by heavily armed
terrorists a decade ago and the remarkable resilience displayed by
the staff and guests that were caught unawares.
"The
film is about one of the most terrible incidents imaginable, but it
is also about people from different groups cutting across ethnicity,
race and class coming together to fight off the attackers,"
Maras said at a press conference after the world premiere of "Hotel
Mumbai" at the 43rd Toronto International Film Festival.
In
a reaction that is typical of Indian journos covering the festival,
the film was critiqued by some ever-touchy quarters for not
mentioning Pakistan by name as the perpetrator of the heinous act of
terrorism, as if the role of elements in the neighbouring nation is
in any need of reiteration. In any case, it would not have changed
the story or its emphasis in any way.
In
response to a question, the director, known for several awarded
shorts, said, "'Hotel Mumbai' is an anthem of resistance and
tenacity. The hotel restaurant was up and running within three weeks
of the attack and the damaged structure was restored to its old glory
in 21 months. That is the spirit that my film celebrates," added
Maras.
"The
overarching narrative," said Maras, "is that 500 people
were caught up in a situation and fought their way through with
exemplary courage."
He
pointed out that the film does not view only the four gunmen who
wreaked havoc in the Taj weren't as guilty. "Their handlers were
just as culpable," he said.
The
star-studded cast of "Hotel Mumbai", shot in Adelaide and
Mumbai, is led by Dev Patel, who plays a Sikh concierge who goes
beyond the line of duty to protect the guests whose lives were at
grave risk during the siege.
"It
tackles a delicate subject that is still very raw for many of the
survivors. It humanizes the situation," he told the media.
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