Lockdown blues? Some classic Bollywood feel-good movies to beat them

Twenty-one days, it would seem, is too short a time to catch up with what really defines vintage Bollywood and is available in the OTT libraries.

While we get to watch new films all the time, the lockdown could be a golden chance to catch up with a few classics across genres. Digital platforms are overflowing with them, and you would literally be spoilt for choice selecting some really enjoyable stuff that has come out of Bollywood over the decades. Twenty-one days, it would seem, is too short a time to catch up with what really defines vintage Bollywood and is available in the OTT libraries.

Here is a list of old films that you might want to revisit, that will let you relax and bust the stress of lockdown. Of course, this is not a definitive list.

Chupke Chupke (1975)

Directed by Hrishikesh Mukherjee, the comedy film is about a man pretending to be a driver and fooling his wife's brother-in-law as an attempt to prove that the brother-in-law is not as smart as he claims to be. The film stars Dharmendra, Sharmila Tagore, Amitabh Bachchan, Jaya Bachchan and Om Prakash. It is available on Netflix.

Munna Bhai MBBS (2003)

The comedy-drama, directed by Rajkumar Hirani, is about a goon who sets out to fulfill his father's dream of becoming a doctor. It stars Sanjay Dutt, Gracy Singh, Arshad Warsi, late Sunil Dutt and Boman Irani. It is available on Netflix.

Amar Akbar Anthony (1977)

The Manmohan Desai multistarrer is widely considered one of the best examples of Bollywood masala entertainment ever. It was Amitabh Bachchan's first major foray into a brand of comedy for the mass. Big B tickled the funny bone with his role of Anthony Gonsalves. The film had a lasting impact on pop culture, with Laxmikant-Pyarelal's distinct score, the dramatic one-liners, colourful characters and a peculiar mix of slapstick and melodrama. It is available on Netflix.

Ancillary revenue to help YRF tide over 'Thugs of Hindostan' debacle

The film finished its opening weekend, an extended four-day festive weekend at that, with Rs1.23 bn in domestic box office collection.

After breaking records with an opening-day collection of over Rs 500 million (net after tax), the response to Yash Raj Films’ (YRF’s) Thugs of Hindostan took a nosedive, falling drastically over the weekend.

The film finished its opening weekend, an extended four-day festive weekend at that, with Rs1.23 billion in domestic box office collection. Given the start it had, experts opined that had the film been appreciated by audiences, it could have collected up to Rs1.8 billion in the first weekend. Its first week collection has been Rs 1.32 billion, a far cry from what YRF expected it to make.(Business Standard)

The film’s massive budget — Rs 2.2 billion, coupled with the sound thrashing it has got from critics and moviegoers alike, means that profitability at the box office is now practically impossible. Considering the current system of working in the industry, the film needs to make Rs4.4 billion for everyone in the eco-system — producers, distributors and exhibitors — to break-even and make profits. The possibility of that happening through domestic box office collections is nil. Trade pundits estimate that Thugs of Hindostan will make at most Rs 2 billion in its lifetime.

“As a thumb rule, a film’s lifetime collection is double its haul in the opening weekend. There are exceptions such as Queen and, more recently, Badhai Ho, which exceeded expectations and were surprise hits. But, by and large, the thumb rule applies. By the calculation, Thugs of Hindostan is looking at a collection of at most Rs2 billion in four weeks (which is what is considered to be a film’s lifetime at the box office on an average). 

YRF had hopes of the film breaching the Rs-4 billion mark, but the outright rejection it has received has foiled those hopes,” says a distributor.

The film’s collection fell 44 per cent from Day One to Day Two, as it collected Rs 282.5 million on Friday, November 9 (it released on Thursday, November 8).

The business continued to take a hit as it collected Rs227.5 million on Saturday (November 10), and just Rs172.5 million on Sunday.

The biggest dip, however, came on Monday (November 12), when the film collected a mere Rs55 million. This was to be expected as the festive period got over. However, had the film’s content been appreciated, it would have seen better numbers after the first day, observe trade pundits.

Those in the know, however, pointed out that despite the film’s dismal run at the box office, YRF might come out of the debacle fairly unscathed financially. It will be the exhibitors and smaller distributors who will take almost 75 per cent of the hit.

“The Rs1.5- 2 billion deficit in the film’s collection, to allow everyone involved to make money or at least break-even, will hurt the exhibitors and distributors the most. Many of the deals have been signed on a minimum guarantee basis. This means the risk is primarily taken by the exhibitor,” says another film executive in the know... Read More